Croatian
Voice over talents
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Simply enter your details below to get your free quote from our expert team.
Simply enter your details below to get your free quote from our expert team.
Browse our Croatian voice over talents below and click to hear their samples. We are at hand to swiftly help you find and cast the perfect voice. With more than 15 years' experience in voice overs you are in safe hands, we’ll make your product or service sound amazing!
We are only a call or email away or, if you prefer, visit our get-a-quote page to discuss your project in detail. You can rest assured we’ll find the right Croatian voice over talent for your project and needs.
You deserve the best! Leave your project to the experts at GoLocalise so that you can relax and be assured of getting top-notch results.
Every single detail will be analysed, studied and looked after so that you do not need to worry. Some would say it’s not too classy to blow our own trumpet… but we just like to point out two very important details.
We have achieved ISO 9001 Quality Management certification in recognition of our consistent performance and high standards, and ISO 14001 Environmental Management because we care about our planet!
And if you are still curious and want to know more about us, why not have a look at our Team or Awards pages.
We work in English and foreign languages, covering all international markets.
With the wide range of on-demand and online TV channels, we can help take your show, TV series or programme global with the simple addition of an English dialogue track!
Our London dubbing studios offer a full service in script translation and adaptation, casting of the voices, recording and final audio mixing of the shows so that they are ready for broadcast.
Then you’ve found the right place. At GoLocalise we are committed to ensuring our clients have the right tone to represent their company, service or product and we will work with you to present your message in the best possible way, so that you can impress your clients and prospects.
Once the video has been shot and edited, it’s paramount that the accompanying voice over comes across as knowledgeable about the brand and excited about the company and the services they offer. A bad voice over can make a video fall flat and impact your company’s brand and image.
Having a great video is important, but having an engaging voice helps hammer home your message and grab the viewer’s attention.
From deep sexy voices to the "guy-next-door", no matter what type of promo voice talent you are after, we have what you're looking for. We are only a call or email away or, if you prefer, visit our get-a-quote page to discuss your project in detail. You can rest assured we’ll find the right promo voice over talent for your project and needs.
You’ll benefit from an expert pool of highly-skilled linguists who have extensive experience in e-learning and a sound understanding of the particular industry sector in which you are dealing.
Our service includes the management of the entire process and delivery of content adapted to foreign markets.
The steps and services involved in any end-to-end e-learning project are: the translation of the course and on-screen text; the localisation of the course graphics; the voice over recording of the course with your preferred voice over talents; and quality control during which the localised course files are reviewed against the original files.
E-learning voice overs can be used for many applications such as training courses, step-by-step instructional and safety videos, technical information, online tutorials and many other informational and educational programmes. Whatever the application, our professional voice over talents can provide you with a clear, concise and accurate narration.
If you need a voice over to narrate your e-learning course or educational product you’ll need someone with the experience, clear diction and stamina to record large volumes of text.
The educational field has seen a transformation in recent years with the introduction of new technologies like smart boards and tablet apps. This transformation is especially evident in the voice over industry.
But we can all agree that the basics are still the same – a clear voice with good diction, a neutral accent, and a slow pace for better comprehension.
And while getting the right voice over talent may seem easy… we can assure you it is not. Many factors must be considered, for example, complicated words, "tongue twister" phrases, over-articulation, contractions, and lazy mouth to name a few.
Don't leave it to chance, make sure your content is clearly understood by your audience and choose GoLocalise for your next educational voice over project. We have thousands of passionate and professional voice over artists ready to work with you in English or any foreign language.
Did you know that 90% of callers placed on hold, listening to silence, hang up within 40 seconds, and 30% of them never call back?
On-hold messaging or messages on hold is a service used by businesses and organisations of all sizes to deliver targeted information to their callers while they wait on hold or while they are being transferred.
Improve your customer experience, and choose a confident voice with tons of charm, warmth and enthusiasm to properly represent your company. We work with a great variety of companies, translating, adapting, casting the voice over talents and recording the telephone prompts.
Telephone prompts are recorded, cleaned, edited, split and labelled and delivered in the format of your choice, so you do not need to worry about anything!
We know that the game doesn’t only have to look good and play smoothly, but also has to sound and read just right. That’s why we at GoLocalise provide all our clients with carefully selected linguists, who are not only specialists in the video game field but are also gamers themselves.
We look after every single detail when localising games into foreign languages and always use the latest glossaries for all the current video game platforms, Wii, PlayStation, Xbox, etc. so that terminology and platform word choices are always spot-on.
You’ll benefit from working with a company that provides the whole package under one roof: translation, quality control, testing and voice over services for all types of video games. The voice over process is overseen by language directors, i.e., native speakers who ensure the correct delivery, pronunciation and intonation of the script.
By using the right voices you can keep frustrated players motivated!
Croatian is the standardized variety of the Serbo-Croatian language used by Croats, principally in Croatia, Bosnia and Herzegovina, the Serbian province of Vojvodina and other neighbouring countries. It is the official and literary standard of Croatia and one of the official languages of the European Union. Croatian is also one of the official languages of Bosnia and Herzegovina and neighbouring countries.
Standard Croatian is based on the most widespread dialect of Serbo-Croatian, Shtokavian, more specifically on Eastern Herzegovinian, which is also the basis of Standard Serbian, Bosnian, and Montenegrin. In the mid-18th century, the first attempts to provide a Croatian literary standard began on the basis of the Neo-Shtokavian dialect that served as a supraregional lingua franca pushing back regional Chakavian, Kajkavian, and Shtokavian vernaculars. The decisive role was played by Croatian Vukovians, which cemented the usage of Ijekavian Neo-Shtokavian as the literary standard in the late 19th and the beginning of the 20th century, as well as designed a phonological orthography. Croatian is written in Gaj’s Latin alphabet.
Ethnic Croats speak all other Serbo-Croatian dialects besides the Shtokavian dialect on which Standard Croatian is based (Chakavian, Kajkavian, and Torlakian (by the Krashovani)). These four dialects, and the four national standards, are usually subsumed under the term “Serbo-Croatian” in English, though this term is controversial for native speakers, and paraphrases such as “Bosnian-Croatian-Montenegrin-Serbian” are therefore sometimes used instead, especially in diplomatic circles.
In the late medieval period up to the 17th century, the majority of semi-autonomous Croatia was ruled by two domestic dynasties of princes (banovi), the Zrinski and the Frankopan, which were linked by inter-marriage. Toward the 17th century, both of them attempted to unify Croatia both culturally and linguistically, writing in a mixture of all three principal dialects (Chakavian, Kajkavian and Shtokavian), and calling it “Croatian”, “Dalmatian”, or “Slavonian”. It is still used now in parts of Istria, which became a crossroads of various mixtures of Chakavian with Ekavian/Ijekavian/Ikavian dialects.
The most standardized form (Kajkavian–Ikavian) became the cultivated language of administration and intellectuals from the Istrian peninsula along the Croatian coast, across central Croatia up into the northern valleys of the Drava and the Mura. The cultural apex of this 17th century idiom is represented by the editions of “Adrianskoga mora sirena” (“Siren of Adriatic Sea”) by Petar Zrinski and “Putni tovaruš” (“Traveling escort”) by Katarina Zrinska.
However, this first linguistic renaissance in Croatia was halted by the political execution of Petar Zrinski and Fran Krsto Frankopan by the Holy Roman Emperor Leopold I in Vienna in 1671. Subsequently the Croatian elite in the 18th century gradually abandoned this combined Croatian standard.
The Illyrian movement was a 19th-century pan-South Slavic political and cultural movement in Croatia that had the goal to standardize the regionally differentiated and orthographically inconsistent literary languages in Croatia, and finally merge them into a common South Slavic literary language. Specifically, three major groups of dialects were spoken on Croatian territory, and there had been several literary languages over four centuries. The leader of the Illyrian movement Ljudevit Gaj standardized the Latin alphabet in 1830–1850 and worked to bring about a standardized orthography. Although based in Kajkavian-speaking Zagreb, Gaj supported using the more populous Neo-Shtokavian – a version of Shtokavian that eventually became the predominant dialectal basis of both Croatian and Serbian literary language from the 19th century on. Supported by various South Slavic proponents, Neo-Shtokavian was adopted after an Austrian initiative at the Vienna Literary Agreement of 1850, laying the foundation for the unified Serbo-Croatian literary language. The uniform Neo-Shtokavian then became common in the Croatian elite.
In the 1860s, the Zagreb Philological School dominated the Croatian cultural life, drawing upon linguistic and ideological conceptions advocated by the members of the Illyrian movement.[20] While it was dominant over the rival Rijeka Philological School and Zadar Philological Schools, its influence waned with the rise of the Croatian Vukovians (at the end of the 19th century).
Looking for more than just a voice over? You can also get high quality subtitling and translation services from us too.
